Neodymium “Alexandrite” Glass Rose Bowl Color Changing Vase, Blue and Purple

Neodymium Alexandrite Glass Crystal Rose Bowl Color Changing Vase Blue Purple

Neodymium Alexandrite Glass Crystal Rose Bowl Color Changing Vase Blue Purple Neodymium Alexandrite Glass Crystal Rose Bowl Color Changing Vase Blue Purple Neodymium Alexandrite Glass Crystal Rose Bowl Color Changing Vase Blue Purple

VISIT US! Beautiful piece of alexandrite glass. Appears to be a piece of contemporary crystal glassware. Lavender purple in incandescent light; light blue in fluorescent light. Approximate dimensions: 6″ (max diameter) x 5 1/2″ (h). c. contemporary. Unknown origin.

“The first commercial use of purified neodymium was in glass coloration, starting with experiments by Leo Moser in November 1927. The resulting “Alexandrite” glass remains a signature color of the Moser glassworks to this day. Neodymium glass was widely emulated in the early 1930s by American glasshouses, most notably Heisey, Fostoria (“wisteria”), Cambridge (“heatherbloom”), and Steuben (“wisteria”), and elsewhere (e.g. Lalique, in France, or Murano). Tiffin’s “twilight” remained in production from about 1950 to 1980. Current sources include glassmakers in the Czech Republic, the United States, and China.




The sharp absorption bands of neodymium cause the glass color to change under different lighting conditions, being reddish-purple under daylight or yellow incandescent light, but blue under white fluorescent lighting, or greenish under trichromatic lighting. This color-change phenomenon is highly prized by collectors. In combination with gold or selenium, beautiful red colors result. Since neodymium coloration depends upon “forbidden” f-f transitions deep within the atom, there is relatively little influence on the color from the chemical environment, so the color is impervious to the thermal history of the glass. However, for the best color, iron-containing impurities need to be minimized in the silica used to make the glass. The same forbidden nature of the f-f transitions makes rare-earth colorants less intense than those provided by most d-transition elements, so more has to be used in a glass to achieve the desired color intensity. The original Moser recipe used about 5% of neodymium oxide in the glass melt, a sufficient quantity such that Moser referred to these as being “rare earth doped” glasses. Being a strong base, that level of neodymium would have affected the melting properties of the glass, and the lime content of the glass might have had to be adjusted accordingly.”

 

References

https://en.wikipedia.org/wiki/Neodymium

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Japanese Fukagawa Porcelain–Hand-Painted Imperial Fine China: Peony Flower

A Brief History of Fukagawa Porcelain
Purveyor to the Imperial Household

“Since about 1650 the art of making fine porcelain has been in the Fukagawa family. History tells us that this is not long after the Korean, Ri Sampei, first found the white stone of Mt. Izumiyama that made porcelain manufacturing in Japan a reality. In fact, it is quite possible that the first Fukagawa to make porcelain had just returned from the war with Korea and while in Kyushu, decided to become involved in this new trade.

 

Fukagawa Japanese Porcelain Imperial Fine China Blue and White Hand-Painted Vase Peony Peonies

For the next 250 years the family continued in the Japanese custom, passing the art from father to son. In 1894 Mr. Chuji Fukagawa adopted the trademark of Mt. Fugi and for the first time, in 1900, Fukagawa Porcelain was exported to Europe.




In 1910 the top honor was received. This was the year that Fukagawa Porcelain was appointed purveyor to the Imperial Household and so became the representative of Japan’s chinaware society. Through the years Fukagawa has maintained this high standard of quality.”

 

Fukagawa Imperial Fine China of Japanese Porcelain Ginger Jar Peony Made in Japan

Fukagawa Imperial Fine China of Japanese Porcelain Ginger Jar Peony Made in Japan Fukagawa Imperial Fine China of Japanese Porcelain Ginger Jar Peony Made in Japan Fukagawa Imperial Fine China of Japanese Porcelain Ginger Jar Peony Made in Japan

VISIT US! Fukagawa Japanese fine bone china made of porcelain with peony pattern. Ginger jar defined: A small ceramic jar with a high rim over which a lid fits. Approximate dimensions: 3 3/4″ (diameter) x 7 3/4″ (h). c. 1992. Made in Japan.

References

Purveyor to the Imperial Household Fukagawa Porcelain Greetings. Saga-Pref., Kyushu, Japan: Fukagawa Porcelain. 1992.

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